Haim & Taylor Swift Drop ‘Gasoline’ Remix — Hear To The New Tune – Hollywood Life

Get able to rev your engines, as a result of Haim has teamed with Taylor Swift for a brand new tackle the group’s ‘Gasoline.’

Not since James Hetfield shouted the phrases “Gimme gas / Gimme hearth / Gimme that which I need” has the music world been so excited for a high-octane because the one arriving at this time (Feb. 19.) Haim, the trio of sisters (Este Haim, Danielle Haim, and Alana Haim), recruited their good friend and collaborator Taylor Swift so as to add a brand new spark to the monitor from the group’s 2020 album, the critically-acclaimed Girls in Music Pt. III. In “Gasoline (Remix)”.

Haim and Taylor Swift beforehand labored collectively on “No Physique, No Crime,” from Swift’s evermore album. The band first teased that one thing was up once they shared a seemingly Tura Satana/Quicker, Pussycat! Kill! Kill!-inspired black and white picture. Followers observed that their automobile was parked subsequent to gasoline pump #13 – Taylor’s favourite quantity – and shortly afterward, intelligent followers uncovered an ASCAP registration for a remix of “Gasoline.” Haim confirmed the hypothesis by posting a TikTok of them entering into the automobile and turning up the radio, which blasted a Taylor-fied model of the track.


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“Gasoline, fairly please / I need to get off / However you’re such a tease / Throw the keys again to me / Go on and kick off your boots / Within the passenger seat,” HAIM sings on the refrain of the monitor, one seemingly drenched within the sun-bleached Laurel Canyon sound. “The track was rather a lot slower initially, after which we put that breakbeat-y drumbeat on it and rapidly it changed into a cool type of factor, and it actually introduced the track to life,” Danielle instructed Apple Music.

“I really like the way in which that the drums sound. I really feel like we actually obtained that proper,” she provides. “I used to be like actually in a cave of blankets, a fort we created with a extremely previous Camco drum set from the ’70s, to ensure we obtained that dry, tight drum sound. That slowed-down ending is because of Ariel. He had this loopy EDM filter he caught on the guitar, and I used to be like, ‘Sure, that’s f-cking excellent.’ “

Such sentiment – “f-cking excellent” – was that of rock critics. Girls In Music Pt. III was one of many best-reviewed albums of 2020, with The Guardian giving it an ideal 5/5 rating. “They subvert pastiche with explosive but contained manufacturing – agitated rhythms, corroded riffs, surprising celluloid-melt transitions – that means Danielle bristling towards her personal limitations, but by no means inhibits an enormous refrain. … The album can also be their first actual foray into detailed emotional songwriting, Danielle outlining a visceral sense of disconnect from indicators in desires that no one can learn, strangers’ beds and estranged lovers’ garments. By leaning into the lows, Haim opens up daring frontiers.”

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